GOLDSMITHS COLLEGE
University of London
Web
Design for the Culture Sector
e-mail: co901sjh@gold.ac.uk
ICQ - 171182276
Autumn
Term 2002
Download
Outline in print version (word)
Syllabus:
This course challenges the boundary between the concrete museum, the
material referent and the electronic surrogate. If the museum experience
is as much about ideas, social interaction and personal narratives as
it is about the original object, the virtual museum needs to fulfill
several functions. This course will interrogate how museums make their
screen debuts, and the various ways the digitally born object, the online
archive, and the electronic surrogate have been authored by museums
in the UK and internationally, as well as the impact of these architectures
on the institution of the museum.
Web Design for the Culture Sector combines both the theoretical and
practical components of the virtual museum and provides both a unique
opportunity to examine contemporary debates as well as hands-on production
that serve to articulate theory in the studio. This course emphasizes
the correlation between cultural theory and contemporary practice.
The course will
include: an
introduction to the theory and history of museology, and contemporary
museum practice including:
* The museum
as site of information and museum identity
* Informal learning paradigms in the museum
* The surrogate object and augmented reality
* The digitally born art object - Virtual Aura
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Each section illustrates
a different aspect of the virtual museum, exploring the relationship
between the material object, and traditional museum experience in relation
to the electronic counterpart.
Assessment:
MID-TERM PROJECTS
FINAL PROJECTS
1 computer midterm design project
(worth 25 %)
1 final design project (worth 40%)
3500-4000 word essay (worth 35%)
Download
workhop group lists
Thursdays - 3-4, 4-5. 5-6 pm
Lectures and workshops
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Bibliography
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Links
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1. Introduction
to Web Design for the Culture Sector
HANDOUT
Introduction
integrating practice and theory
Definition(s) of the museum
Institutional functions
Museums
for the People?
Electronic functions - introduction
Brief:
Framing
the museum
Museum home page
Institutional logo
Menu
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Tony Bennet,
1995, "Museums and 'the people', The Birth of the Museum,
Robert Hewison, 1987, The
Heritage Industry, Methuen
J. Pedro Lorente,
1998, Cathedrals of Urban Modernity, the Emergence of the First
Museums of Contemporary Art, Ashgate
Susan M. Pearce, Museums
Objects and Collections, Leicester University Press, 1992
Appleton
Josie,
2001, Museums for' The People?', Institute of Ideas, Conversations
in Print, Academy of Ideas Ltd.
Ivan
Karp and Steven D. Lavine, Ed. 1991,
Smithsonian Institution, Smithsonian Institution Press, Washington,
DC., USA
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Virtual
Library Museums Pages
A distributed directory of on-line museums
Art
Museum network
Museums, collections, exhibitions
ICOM
The International Council of Museums
Museum
Computer Network
A Nonprofit Organization for Museum Professionals
Links to over 1,000 international museum and museum-related
WWW sites
Department
for Culture, Media, and Sport
Great historic collections are a priceless national asset and
DCMS is responsible for conserving this rich inheritance for
future generations.
Museumstuff.com
International
and national museum directories
Museum
Domain Management Association MuseDoma
is the sponsoring organization of the .museum top-level domain
(TLD).
http://musedoma.museum/
Collections
Management software for Museums
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2. Information
<> Knowledge
HANDOUT
The traditional
role of the museum is said to enhance knowledge. The primary
role of the Internet is more about information. Can these contrary
paradigms be resolved on an online museum?
Archives
The Electronic image
Archiving the collection
Classification systems
Transnational
collections/archives
Brief:
Structuring an online collection or exhibition
Thematic context
links across institution or outside of the museum
The
national museum
Transnational
collections
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Sontag,
S. 1999,
the image-world, in Visual Culture, Sage
Sontag,
S.,1979, On photography,
Penguin Books, UK
Barthes,
R. 1993, the photographic
message, Barthes Reader, Vintage,
Auge,
M.
1995, non-places, Verso, London, New York
Barthes,
R.
2000, Camera Lucinda: Reflections on Photography, Vintage, UK
Benjamin,
W.
1992, Illuminations, The Work of Art
in the Age of Mechanical Reproduction, Fontana Press,
UK
Robins,
K.S,
1996, Into the Image, Routledge, UK
Manovich,
L.,
2001, The Language of New media, Massachusetts Institute of
Technology, London, England
Morse,
M.
1998, Virtualities, Television, Media Art, and Cyberculture,
Indiana University Press
Abbott,
Robert,
1999, The World as Information, Intellect, Exeter, England
Anderson
Benedict,
1983, Imagined Communities, Verso
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CIDOC
is the international focus for the documentation interests
of museums and related organizations
Information
on metadata and other cataloging and indexing
information in relation to digital collections
MOUSEIA
- a festival of the Muses --- the online resource centre for
museulologists and museum professionals
Mark
Hardens Archive
Virtualology
WebMuseum
Network
Art
Guide, the comprehensive Internet guide to the art collections
of Great Britain and Ireland
Wayback
Machine
The Wayback Machine makes it possible to surf pages stored in
the Internet Archive's web archive.
Search the exCALENDAR
database for exhibitions.
Enter an artist's name, exhibition title, city, keyword or museum
name.
Search
Artcyclopedia:
The definitive and most effective guide to museum-quality fine
art on the Internet:
Representational
Art Exhibitions
Traditional Fine Arts Online
Web
Gallery of Art
Send a postcard (great online
artist archive)
AMICO
The Art
Museum Image Consortium (AMICO) is a not-for-profit organization
of institutions with collections of art, collaborating to enable
educational use of museum multimedia.
Dublin
Core The Dublin Core Metadata Initiative is an open
forum engaged in the development of interoperable online metadata
standards that support a broad range of purposes and business
models.
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3. Information
<> Knowledge II
Museum Functions
HANDOUT
Contextualising
the collections in an institutional framework. Creating the
ambiance of an online museum.
Mirroring museum functions online
Brief
The
museum as an institution
Online shop
Events
Visitor information
Opening hours
Moreover
Live media feed
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Fyfe.
G.,
1996, Theorising museums :representing identity and diversity
in a changing world
Fyfe.
Gordon,
1988, Picturing power: visual depiction and social relations
Sherman,
Daniel, and Rogoff, Irit,
Ed., 1994, Museum Culture,
Clifford
James,
1997, Museums as Contact Zones, in Routes, Travel and Translation
in the Late Twentieth Century, Harvard University Press
Alfred
Gell,
1998, Art and Agency, An Anthropological Theory, Clarendon Press,
Oxford, UK
John
Berger,
1977, Ways of Seeing, British Broadcasting Corporation and Penguin
Books, UK
Hazan,
Susan, 1997,
The Fourth Wall - The Virtual in the Museum, Conference Proceedings,
ICHIM Museum de Louvre, Paris
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National Gallery, London
National Portrait Gallery
New Art
Gallery, Walsall
Serpentine Gallery
Tate
College
Art Collections, University of London
The
Laing Art Gallery, Newcastle-upon-Tyne
The Walker Art Gallery, Liverpool
Hayward Gallery, South Bank, London
Museum of Modern Art, Oxford
The South London Gallery
Courtauld
Institute of Art
Victoria
and Albert Museum
Museum
of London
Natural
History Museum
The
National Museum of Science and Industry
Science
Museum, London
National
Railway Museum
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4. Fakes
and fiction of the Electronic Surrogate.
Simulations
Conservation
Restoration
Authoring the past
Memory
Brief
Create
a (fake/fictional) 3D reconstruction in Photoshop, Bryce, Poser,
Adobe® Atmosphere™, 3dmax
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Weschler, L.,1995, Mr.
Wilson's
Cabinet of Wonder, Vintage Books, New York, USA
Bourdieu, Pierre,
1993 (1968), The Field of Cultural Production, Polity
Burgin,
Victor,
1986, The end of art theory, Macmillon Press, Ltd.
Clifford,
James, 1986, Writing
Culture, The Poetics and Politics of Ethnology, ed. Clifford,
G.E. Marcus, University of California Press,
Giddens,
Anthony, 1990, The Consequences of Modernity, Polity
Press,
Eco,
Umberto,
1994,
Apocalypse Postponed, Indiana University Press
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Fakes and Forgeries at the V&A Room
46
The
Museum of Jurassic Technology
"...guided along as it were a chain of flowers into the mysteries
of life."
The
Huntarian Museum, London
Sir
John Soan's Museum
Geffrye
Museum - English Domestic Interiors
Walk through time at one of London's most friendly and enjoyable
museums
Imperial
War Museum
The
Holocaust Museum
Under the cover of the Second World War, for the first time
in history, industrial methods were used for the mass extermination
of a whole people.
Adobe®
Atmosphere™
Animatricity
3dmax
3dmax
Gallery
How
to - online tutorials, tips and links to EVERYTHING useful
- http://www.howtos.nl/
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5. Digitally
Born Art
Digital
interventions
Surrogate art
Network art
Hybrid
SMS<>ICQ>< IRC> art
Brief
Design
an art portal or timeline illustrating what separates the art
from the framing device
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Documenta 11 :the catalogue Okwui Enwezor
... [et al.]. 2002.
Whitney
biennial 2002 :2002 biennial exhibition /Lawrence
R. Rinder ... [et al.]
Net condition
:art and global media /edited by Peter
Weibel and Timothy Druckrey
Ars Electronica
:facing the future : a survey of two decades /edited by Timothy
Druckrey
De
Landa, Manuel,
1991, War in the age of intelligent machines, New York : Zone
Books
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Shakeitbabe
Telematic
Connections: The Virtual Embrace
Steve Dietz's Traveling web/installations/hybrid exhibition
Ars
Electronica Center, Linz, Austria
Sonic
Flux - WalkerArt gallery
010101:
ART.IN.Technological.Times
SFMOMA
Digital
Culture - Walker Art Gallery 9
Whitney
Biennial
ZKM
- Museum fur Neue Kunst
Immersence
National
Museum of Film & Photography
Bradford, West Yorkshire
Stelarc
Lev
Manovich new media research
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6. Documenting
and Distributing the Digitally Born
Artists
sites
Institutional sites
Networked art
Digital curating
Brief
Art
portal II
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Meecham,
Pam, and Sheldon, Julie, 2000,
Modern Art, A Critical Introduction, Routledge
Nairne,
Sandy,
1987, State of the Art, Ideas & Images in the 1980's, Chatton
and Windus
Negroponte,
Nicholas, 1995,
Vintage, USA
Turkle,
Shelly,
1997,
Life on the Screen, Identity in the Age of the Internet, Touchstone,
USA
Robins
Kevin and Webster Frank,
1999, Time of the Technoculture, Routledge
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The Alternativemuseum.org
Index
of museums
whitney.org/artport/
A Net Art Idea Line mapping lines of thought through time
Ars
Electronica Center, Linz, Austria
Sonic
Flux - WalkerArt gallery
010101:
ART.IN.Technological.Times
SFMOMA
Digital
Culture - Walker Art Gallery 9
Whitney
Biennial
DEAF00
Electronic Art Festival
Rotterdam, November 2000
National
Museum of Photography, Film and Television
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7. Online
Museum Education
Museum@school
Curating for curriculum
Interactives in the gallery
Object in focus
Memory
Brief:
Select
a subject and key stage from the national curriculum.
Design an online exhibition that illustrates a school project
based on an online exhibition.
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Falk,
John and Dierking, Lynn, D.,
2000, Learning from the Museum, Visitor Experience and the Making
of Meaning, AltaMira Press
Hein,
George, E.,
1998, Learning in the Museum, Routledge
Weil,
Stephen,
1995,
A Cabinet of Curiosities, Inquiries into Museums and their Prospects,
Smithsonian Institutional Press
Victoria
and Albert Museum:
V&A education for all.. London : Victoria and Albert Museum
, 1992
Hooper-Greenhill,
Eilean,
1991, Museum and gallery education, Leicester University Press
Hooper-Greenhill,
Eilean, 1991,
Writing a museum education policy, University of Leicester,
Department of Museum Studies
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National
Curriculum Online
The
British Museum
Illuminating World Cultures
The
Education Department
of The British Museum offers a range
of learning experiences for everyone, whatever your age or level
of interest.
Schoolhistory.co.uk
The
Metropolitan Online Resources
ArtsEdNet
-
The Getty Art Education Web Site
Guggenheim
- Education
Best
of the Web 2002 -
Museums and the Web
Educational
Sites
American
Museum of Natural History
Ology
Tate's
Ultra-Modern Visual Access
Deliberately
Concealed Garments Project
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8. Educational
Interactives
Agency
Networked projects
Transnational archives
Student authorship
Brief:
Devise
an interactive experience for adults, youth or small children
based on museum collection
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Stephen Greenblatt, 'Resonance
and Wonder, Exhibiting Cultures, the Poetics and Politics of
Museum Display, Smithsonian, 1991
Hooper-Greenhill,
E.,
1989,
Initiatives in Museum Education, University of Leicester
Karp
I. and Lavine S.D Ed.,
1991, Exhibition Cultures, The Poetics and politics of Museum
Display, Smithsonian Institute, USA
Lumley
R, Ed.,
1998, The Museum Time Machine, 1990, 1992, 1995, 1998, Comedia,
by Routledge
Macdonald
S. and Fyfe, G., 1996,
Theorizing the Museum, Ed.Blackwell Pearce, S. M., 1997, Collecting
in contemporary practice, Sage
Pearce,
S.M.,
1992, Museums Objects and Collections, Leicester University
Press
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Minneapolis Institute of Arts
Salem
Witch Museum Education
Twenty-four
innocent victims lost their lives in the Salem witchcraft hysteria.
How did the community of Salem let this tragedy happen? Was
it simply fear and superstition, or were there other factors
at work?
Witchcraft Hysteria
Science
Museum Downloadable Interactives
Choose
a Picture - Quentin Blake at the National Gallery
Interactive
online exhibitions
at the Natural History Museum
Niagra
Falls Live Webcam
Earth
Viewer
Anagram
server - A
SEED EVIL YOULL NO
The
Mighty Book Online reading skills
Icky,
sticky, and gooey
The
Telegarden
1996-97: On Exhibit at the Ars Electronica Center
Online
dictionary/thesaurus
Switcheroo
Zoo - switch around the animal parts
Bembos
Zoo Alphabet
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9. Virtual
Museums
Commercial
Non for profit entities
Real or really virtual
Defining the virtual
Replicating the real
Copyright
Brief:
Storyboard
for final project
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Barthes,
R.,
2000,
Camera Lucinda: Reflections on Photography, Vintage, UK
Roland
Barthes, The
Imagination of the sign, A Barthes Reader , 1982, 1993
Roland
Barthes,
'The Rhetoric of the Image', Visual Culture, Ed. Jessica Evans
and Stuart Hall, 1999
Baudrillard,
Jean,
1994, Simulacra and Simulation, University of Michigan Press
Murray,
Janes,
1997, Hamlet on the Holodeck, The Future of Narrative in Cyberspace,
The MIT Press, Cambridge, Massachusetts
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Virtual
Museum of Arts El Pais
The
24 hour Museum
The
Vincent Van Gogh Gallery
The
Virtual Leonardo Project
Lin
Hsin Hsin Museum of Art
Lesley
Ellen Harris- copyright laws
Copyright
Website
Teach
Act - TECHNOLOGY,
EDUCATION, AND COPYRIGHT HARMONIZATION (TEACH) ACT
ART
TRUMPS RIGHT TO PRIVACY NEW YORK.
A Federal court in New York has thrown out a lawsuit against
the artist Barbara Kruger, the Whitney Museum of American Art,
the Museum of Contemporary Art in Los Angeles, and others including
the MIT Press. In the lawsuit, two individuals, the photographer
Thomas Hoepker and his friend Charlotte Dabney, had sought damages
stemming from the use and exhibition of an image of Dabney within
a work created by Barbara Kruger.
Chanceprojects
an agency for the collaborative work of artists neil cummings
and marysia lewandowska
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10. Global
Collaborations
Dot.museum
Guggenheim.com
Licensing for educational archives
Transnational
Tug of the commercial
Non for profit
Brief:
Outline
and work plan for final project
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Cummings
Neil and Lewandowska, Marysia,
2 001, Capital, A Project by, Tate
Duncan
C.,
1991, Art and the ritual of citizenship in Exhibiting Culture,
Ed. I. Karp and D. Lavine, Smithsonian Institution Books, USA
Klein,
Naomi
2000, NO LOGO, Flamingo
Jameson,
Fredric,
1991, Postmodernism or, The Cultural Logic of Late Capitalism,
Verso
Llash,
S. and Urry,
J. 1994, Economies of Signs and Space, London: Sage
Pauitt,
Jane, 1999,
Brands - Brand New, V&A Publications
Thomas,
Nicholas, 1991,
Entangles Objects, Exchange, Material Culture, and Colonialism
in the Pacific, Harvard University Press, USA
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EUROPE
Louvre
Mus?e
d'Orsay, Paris, France
Louisiana
Museum for Modern Kunst - Denmark
Eskimo
Treasures, Danish National Museum
Danish
Ministry of Culture
USA
The
Metropolitan Museum of Art
The
Frick Collection
Los
Angeles County Museum Art - LACMA
Minneapolis
Institute of Arts
Lists
Archives
of ICOM-L@HOME.EASE.LSOFT.COM
International Council of Museums Discussion List Search the
archives
Archives
of MUSEUM-L@HOME.EASE.LSOFT.COM
Museum discussion list
you are welcome to join the list
vr-art
This
list is for the discussion of the uses of Virtual Reality technology
in artistic practice.
The
Museums Computer Group
meets twice a year at different museums throughout the UK. Group
meetings provide a forum for discussion between museum, gallery,
archive and HE professionals who work with computers and new
technologies.
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