GOLDSMITHS COLLEGE University of London

Web Design for the Culture Sector

e-mail: co901sjh@gold.ac.uk
ICQ - 171182276

Autumn Term 2002

Download Outline in print version (word)

Syllabus: This course challenges the boundary between the concrete museum, the material referent and the electronic surrogate. If the museum experience is as much about ideas, social interaction and personal narratives as it is about the original object, the virtual museum needs to fulfill several functions. This course will interrogate how museums make their screen debuts, and the various ways the digitally born object, the online archive, and the electronic surrogate have been authored by museums in the UK and internationally, as well as the impact of these architectures on the institution of the museum.

Web Design for the Culture Sector combines both the theoretical and practical components of the virtual museum and provides both a unique opportunity to examine contemporary debates as well as hands-on production that serve to articulate theory in the studio. This course emphasizes the correlation between cultural theory and contemporary practice.

The course will include: an introduction to the theory and history of museology, and contemporary museum practice including:

* The museum as site of information and museum identity
* Informal learning paradigms in the museum
* The surrogate object and augmented reality
* The digitally born art object - Virtual Aura

Each section illustrates a different aspect of the virtual museum, exploring the relationship between the material object, and traditional museum experience in relation to the electronic counterpart.

Assessment: MID-TERM PROJECTS

FINAL PROJECTS

1 computer midterm design project (worth 25 %)
1 final design project (worth 40%)
3500-4000 word essay (worth 35%)

Download workhop group lists
Thursdays - 3-4, 4-5. 5-6 pm


Lectures and workshops

 


Bibliography

 


Links

 

1. Introduction to Web Design for the Culture Sector

HANDOUT

Introduction
integrating practice and theory
Definition(s) of the museum
Institutional functions

Museums for the People?
Electronic functions - introduction

 

Brief:

Framing the museum

Museum home page
Institutional logo
Menu



Tony Bennet
, 1995, "Museums and 'the people', The Birth of the Museum,

Robert Hewison, 1987, The Heritage Industry, Methuen

J. Pedro Lorente, 1998, Cathedrals of Urban Modernity, the Emergence of the First Museums of Contemporary Art, Ashgate

Susan M. Pearce, Museums Objects and Collections, Leicester University Press, 1992

Appleton Josie, 2001, Museums for' The People?', Institute of Ideas, Conversations in Print, Academy of Ideas Ltd.

Ivan Karp and Steven D. Lavine, Ed. 1991, Smithsonian Institution, Smithsonian Institution Press, Washington, DC., USA




Virtual Library Museums Pages
A distributed directory of on-line museums

Art Museum network
Museums, collections, exhibitions

ICOM
The International Council of Museums

Museum Computer Network
A Nonprofit Organization for Museum Professionals
Links to over 1,000 international museum and museum-related WWW sites

Department for Culture, Media, and Sport
Great historic collections are a priceless national asset and DCMS is responsible for conserving this rich inheritance for future generations.

Museumstuff.com

International and national museum directories

Museum Domain Management Association MuseDoma is the sponsoring organization of the .museum top-level domain (TLD).
http://musedoma.museum/

Collections Management software for Museums

2. Information <> Knowledge
HANDOUT

The traditional role of the museum is said to enhance knowledge. The primary role of the Internet is more about information. Can these contrary paradigms be resolved on an online museum?

Archives
The Electronic image

Archiving the collection
Classification systems

Transnational collections/archives

Brief:


Structuring an online collection or exhibition

Thematic context

links across institution or outside of the museum

The national museum

Transnational collections

 

 

Sontag, S. 1999, the image-world, in Visual Culture, Sage

Sontag, S.,1979, On photography, Penguin Books, UK

Barthes, R. 1993, the photographic message, Barthes Reader, Vintage,

Auge, M. 1995, non-places, Verso, London, New York

Barthes, R. 2000, Camera Lucinda: Reflections on Photography, Vintage, UK

Benjamin, W. 1992, Illuminations, The Work of Art in the Age of Mechanical Reproduction, Fontana Press, UK

Robins, K.S, 1996, Into the Image, Routledge, UK

Manovich, L., 2001, The Language of New media, Massachusetts Institute of Technology, London, England

Morse, M. 1998, Virtualities, Television, Media Art, and Cyberculture, Indiana University Press

Abbott, Robert, 1999, The World as Information, Intellect, Exeter, England

Anderson Benedict, 1983, Imagined Communities, Verso

 

CIDOC is the international focus for the documentation interests of museums and related organizations

Information on metadata and other cataloging and indexing information in relation to digital collections

MOUSEIA - a festival of the Muses --- the online resource centre for museulologists and museum professionals

Mark Hardens Archive

Virtualology

WebMuseum Network

Art Guide, the comprehensive Internet guide to the art collections of Great Britain and Ireland

Wayback Machine
The Wayback Machine makes it possible to surf pages stored in the Internet Archive's web archive.

Search the exCALENDAR database for exhibitions.
Enter an artist's name, exhibition title, city, keyword or museum name.

Search Artcyclopedia:
The definitive and most effective guide to museum-quality fine art on the Internet:

Representational Art Exhibitions
Traditional Fine Arts Online

Web Gallery of Art
Send a postcard (great online artist archive)

AMICO The Art Museum Image Consortium (AMICO) is a not-for-profit organization of institutions with collections of art, collaborating to enable educational use of museum multimedia.

Dublin Core The Dublin Core Metadata Initiative is an open forum engaged in the development of interoperable online metadata standards that support a broad range of purposes and business models.

3. Information <> Knowledge II
Museum Functions
HANDOUT

Contextualising the collections in an institutional framework. Creating the ambiance of an online museum.
Mirroring museum functions online

Brief

The museum as an institution

Online shop
Events
Visitor information
Opening hours

Moreover
Live media feed

 

Fyfe. G., 1996, Theorising museums :representing identity and diversity in a changing world

Fyfe. Gordon, 1988, Picturing power: visual depiction and social relations

Sherman, Daniel, and Rogoff, Irit, Ed., 1994, Museum Culture,

Clifford James, 1997, Museums as Contact Zones, in Routes, Travel and Translation in the Late Twentieth Century, Harvard University Press

Alfred Gell, 1998, Art and Agency, An Anthropological Theory, Clarendon Press, Oxford, UK

John Berger, 1977, Ways of Seeing, British Broadcasting Corporation and Penguin Books, UK

Hazan, Susan, 1997, The Fourth Wall - The Virtual in the Museum, Conference Proceedings, ICHIM Museum de Louvre, Paris

 


National Gallery, London

National Portrait Gallery

New Art Gallery, Walsall

Serpentine Gallery

Tate

College Art Collections, University of London

The Laing Art Gallery, Newcastle-upon-Tyne

The Walker Art Gallery, Liverpool

Hayward Gallery, South Bank, London

Museum of Modern Art, Oxford

The South London Gallery

Courtauld Institute of Art

Victoria and Albert Museum

Museum of London

Natural History Museum

The National Museum of Science and Industry

Science Museum, London

National Railway Museum

4. Fakes and fiction of the Electronic Surrogate.

Simulations
Conservation
Restoration
Authoring the past
Memory

Brief

Create a (fake/fictional) 3D reconstruction in Photoshop, Bryce, Poser, Adobe® Atmosphere™, 3dmax

 


Weschler, L.,1995,
Mr.
Wilson's Cabinet of Wonder, Vintage Books, New York, USA

Bourdieu, Pierre
, 1993 (1968), The Field of Cultural Production, Polity

Burgin, Victor, 1986, The end of art theory, Macmillon Press, Ltd.

Clifford, James, 1986, Writing Culture, The Poetics and Politics of Ethnology, ed. Clifford, G.E. Marcus, University of California Press,

Giddens, Anthony, 1990, The Consequences of Modernity, Polity Press,

Eco, Umberto, 1994, Apocalypse Postponed, Indiana University Press


Fakes and Forgeries at the V&A
Room 46

The Museum of Jurassic Technology
"...guided along as it were a chain of flowers into the mysteries of life."

The Huntarian Museum, London

Sir John Soan's Museum

Geffrye Museum - English Domestic Interiors
Walk through time at one of London's most friendly and enjoyable museums

Imperial War Museum

The Holocaust Museum
Under the cover of the Second World War, for the first time in history, industrial methods were used for the mass extermination of a whole people.

Adobe® Atmosphere™

Animatricity

3dmax

3dmax Gallery

How to - online tutorials, tips and links to EVERYTHING useful - http://www.howtos.nl/

 

5. Digitally Born Art

Digital interventions
Surrogate art
Network art
Hybrid
SMS<>ICQ>< IRC> art

Brief

Design an art portal or timeline illustrating what separates the art from the framing device

 


Documenta 11 :the catalogue Okwui Enwezor ... [et al.]. 2002.

Whitney biennial 2002 :2002 biennial exhibition /Lawrence R. Rinder ... [et al.]

Net condition :art and global media /edited by Peter Weibel and Timothy Druckrey

Ars Electronica :facing the future : a survey of two decades /edited by Timothy Druckrey

De Landa, Manuel, 1991, War in the age of intelligent machines, New York : Zone Books

 

Shakeitbabe

Telematic Connections: The Virtual Embrace
Steve Dietz's Traveling web/installations/hybrid exhibition

Ars Electronica Center, Linz, Austria

Sonic Flux - WalkerArt gallery

010101: ART.IN.Technological.Times
SFMOMA

Digital Culture - Walker Art Gallery 9

Whitney Biennial

ZKM - Museum fur Neue Kunst

Immersence

National Museum of Film & Photography
Bradford, West Yorkshire

Stelarc

Lev Manovich new media research

6. Documenting and Distributing the Digitally Born

Artists sites
Institutional sites
Networked art
Digital curating

Brief

Art portal II

 

Meecham, Pam, and Sheldon, Julie, 2000, Modern Art, A Critical Introduction, Routledge

Nairne, Sandy, 1987, State of the Art, Ideas & Images in the 1980's, Chatton and Windus

Negroponte, Nicholas, 1995, Vintage, USA

Turkle, Shelly, 1997, Life on the Screen, Identity in the Age of the Internet, Touchstone, USA

Robins Kevin and Webster Frank, 1999, Time of the Technoculture, Routledge


The Alternativemuseum.org

Index of museums

whitney.org/artport/
A Net Art Idea Line mapping lines of thought through time

Ars Electronica Center, Linz, Austria

Sonic Flux - WalkerArt gallery

010101: ART.IN.Technological.Times
SFMOMA

Digital Culture - Walker Art Gallery 9

Whitney Biennial

DEAF00 Electronic Art Festival
Rotterdam, November 2000

National Museum of Photography, Film and Television

7. Online Museum Education

Museum@school
Curating for curriculum
Interactives in the gallery
Object in focus
Memory

Brief:

Select a subject and key stage from the national curriculum.
Design an online exhibition that illustrates a school project based on an online exhibition.

 

 

Falk, John and Dierking, Lynn, D., 2000, Learning from the Museum, Visitor Experience and the Making of Meaning, AltaMira Press

Hein, George, E., 1998, Learning in the Museum, Routledge

Weil, Stephen, 1995, A Cabinet of Curiosities, Inquiries into Museums and their Prospects, Smithsonian Institutional Press

Victoria and Albert Museum: V&A education for all.. London : Victoria and Albert Museum , 1992

Hooper-Greenhill, Eilean, 1991, Museum and gallery education, Leicester University Press

Hooper-Greenhill, Eilean, 1991, Writing a museum education policy, University of Leicester, Department of Museum Studies

 

National Curriculum Online

The British Museum
Illuminating World Cultures

The Education Department
of The British Museum offers a range
of learning experiences for everyone, whatever your age or level of interest.

Schoolhistory.co.uk

The Metropolitan Online Resources

ArtsEdNet -
The Getty Art Education Web Site

Guggenheim - Education

Best of the Web 2002 -
Museums and the Web
Educational Sites

American Museum of Natural History
Ology

Tate's Ultra-Modern Visual Access

Deliberately Concealed Garments Project

8. Educational Interactives

Agency
Networked projects
Transnational archives
Student authorship

Brief:

Devise an interactive experience for adults, youth or small children based on museum collection

 


Stephen Greenblatt,
'Resonance and Wonder, Exhibiting Cultures, the Poetics and Politics of Museum Display, Smithsonian, 1991

Hooper-Greenhill, E., 1989, Initiatives in Museum Education, University of Leicester

Karp I. and Lavine S.D Ed., 1991, Exhibition Cultures, The Poetics and politics of Museum Display, Smithsonian Institute, USA

Lumley R, Ed., 1998, The Museum Time Machine, 1990, 1992, 1995, 1998, Comedia, by Routledge

Macdonald S. and Fyfe, G., 1996, Theorizing the Museum, Ed.Blackwell Pearce, S. M., 1997, Collecting in contemporary practice, Sage

Pearce, S.M., 1992, Museums Objects and Collections, Leicester University Press

 


Minneapolis Institute of Arts

Salem Witch Museum Education
Twenty-four innocent victims lost their lives in the Salem witchcraft hysteria. How did the community of Salem let this tragedy happen? Was it simply fear and superstition, or were there other factors at work? Witchcraft Hysteria

Science Museum Downloadable Interactives

Choose a Picture - Quentin Blake at the National Gallery

Interactive online exhibitions at the Natural History Museum

Niagra Falls Live Webcam

Earth Viewer

Anagram server - A SEED EVIL YOULL NO

The Mighty Book Online reading skills

Icky, sticky, and gooey

The Telegarden 1996-97: On Exhibit at the Ars Electronica Center

Online dictionary/thesaurus

Switcheroo Zoo - switch around the animal parts

Bembos Zoo Alphabet

 

9. Virtual Museums


Commercial
Non for profit entities
Real or really virtual
Defining the virtual
Replicating the real

Copyright

Brief:

Storyboard for final project


 

Barthes, R., 2000, Camera Lucinda: Reflections on Photography, Vintage, UK

Roland Barthes, The Imagination of the sign, A Barthes Reader , 1982, 1993

Roland Barthes, 'The Rhetoric of the Image', Visual Culture, Ed. Jessica Evans and Stuart Hall, 1999

Baudrillard, Jean, 1994, Simulacra and Simulation, University of Michigan Press

Murray, Janes, 1997, Hamlet on the Holodeck, The Future of Narrative in Cyberspace, The MIT Press, Cambridge, Massachusetts

 

Virtual Museum of Arts El Pais

The 24 hour Museum

The Vincent Van Gogh Gallery

The Virtual Leonardo Project

Lin Hsin Hsin Museum of Art


Lesley Ellen Harris- copyright laws

Copyright Website

Teach Act - TECHNOLOGY, EDUCATION, AND COPYRIGHT HARMONIZATION (TEACH) ACT

ART TRUMPS RIGHT TO PRIVACY NEW YORK. A Federal court in New York has thrown out a lawsuit against the artist Barbara Kruger, the Whitney Museum of American Art, the Museum of Contemporary Art in Los Angeles, and others including the MIT Press. In the lawsuit, two individuals, the photographer Thomas Hoepker and his friend Charlotte Dabney, had sought damages stemming from the use and exhibition of an image of Dabney within a work created by Barbara Kruger.

Chanceprojects an agency for the collaborative work of artists neil cummings and marysia lewandowska

10. Global Collaborations

Dot.museum
Guggenheim.com
Licensing for educational archives
Transnational
Tug of the commercial
Non for profit

Brief:

Outline and work plan for final project


 

Cummings Neil and Lewandowska, Marysia, 2 001, Capital, A Project by, Tate

Duncan C., 1991, Art and the ritual of citizenship in Exhibiting Culture, Ed. I. Karp and D. Lavine, Smithsonian Institution Books, USA

Klein, Naomi 2000, NO LOGO, Flamingo

Jameson, Fredric, 1991, Postmodernism or, The Cultural Logic of Late Capitalism, Verso

Llash, S. and Urry, J. 1994, Economies of Signs and Space, London: Sage

Pauitt, Jane, 1999, Brands - Brand New, V&A Publications

Thomas, Nicholas, 1991, Entangles Objects, Exchange, Material Culture, and Colonialism in the Pacific, Harvard University Press, USA

 

 

EUROPE
Louvre

Mus?e d'Orsay, Paris, France

Louisiana Museum for Modern Kunst - Denmark

Eskimo Treasures, Danish National Museum

Danish Ministry of Culture

 

USA
The Metropolitan Museum of Art

The Frick Collection

Los Angeles County Museum Art - LACMA

Minneapolis Institute of Arts


Lists

Archives of ICOM-L@HOME.EASE.LSOFT.COM
International Council of Museums Discussion List Search the archives

Archives of MUSEUM-L@HOME.EASE.LSOFT.COM
Museum discussion list
you are welcome to join the list

vr-art This list is for the discussion of the uses of Virtual Reality technology in artistic practice.

The Museums Computer Group meets twice a year at different museums throughout the UK. Group meetings provide a forum for discussion between museum, gallery, archive and HE professionals who work with computers and new technologies.

 

 

 

 

 

Haraway Donna, 1997, Modest_Witness@Second_Millennium.FemaleMan_Meets_OncoMouse :feminism and technos, Routledge
Haraway Donna, 1991, Simians, cyborgs, and women :the reinvention of nature /Donna J. Haraway, free Association Books, London, UK

Articles/Essays

ARCHIVING THE AVANT GARDE: DOCUMENTING AND PRESERVING VARIABLE MEDIA ART
A collaborative project that will begin to establish such professional best practice. The collaboration, consisting of the Berkeley Art Museum and Pacific Film Archive (BAM/PFA), the Solomon R. Guggenheim Museum, the Walker Art Center (a non-funded partner), Rhizome.org, the Franklin Furnace Archive, and the Cleveland Performance Art Festival and Archive, will have national impact due to the urgent and universal nature of the problem for contemporary art institutions, the practicality and adaptability of the model developed by this group, and the significant expertise that this nationwide consortium will bring to bear in the area of documenting and preserving variable media art.

Moltenbrey, Karen 2001 "Preserving the Past," Computer Graphics World, September, vol.24, #9, pp.24-30. [review of virtual cultural heritage, the new discipline focusing on using digital technologies, especially virtual reality, to help preserve the past; Learning Sites projects and goals are discussed among some of the leading proponents of the discipline; includes images from two projects]

Artists use caves and other VR displays to explore interactive environments
By Barbara Robertson To many people who create virtual reality applications, a "cave" is nothing more than a large, immersive display system. It gives automobile designers a way to display life-size virtual prototypes of new car designs. It lets architects tour factory floors that haven't been built and archeologists roam through ancient buildings that no longer exist. It offers scientists substantial views of such complex three-dimensional systems as molecular models, atmospheric systems, and galaxies.
Computer Graphics World November, 2001 Author(s) : Barbara Robertson

Is digital backup worth the effort? You can read centuries-old books, but not decades-old computer archives by Dough Alexander - The Tribune - August 12, 2002

Read All About It
With Explanatory Labels Papering Museum Walls, Are We Still Looking at the Pictures They Explain?
http://www.washingtonpost.com

The Association for Heritage Interpretation
The Association is the key UK forum for anyone interested in interpretation: the art of helping people explore and appreciate our world.
The Association was founded in 1975 as the Society for the Interpretation of Britain's Heritage.

Virtual Society?
An ESRC Research Programme the social science of electronic technologies

Informational Value of Museum Web Sites
V. Kravchyna and S.K. Hastings
First Monday, volume 7, number 2 (February 2002)
Copyright ©2002, First Monday

HERITAGE ORGANISATIONS AND CONSERVATION BODIES

English Heritage
From visits to historic properties and battle re-enactments to conservation grants, from archaeological digs to children's books, English Heritage offers exciting insights into the past and helps the past contribute to the lives of everyone now, and in the future. National Trust
The National Trust Is a registered charity, is independent of Government, and was founded in 1895 to preserve places of historic interest or natural beauty permanently for the nation to enjoy Victorian Society
The Victorian Society is the national society responsible for the study and protection of Victorian and Edwardian architecture and other arts. It was founded in 1958 to fight the then widespread ignorance of nineteenth and early twentieth century architecture.

Society for the Protection of Ancient Buildings (SPAB)

The Society for the Protection of Ancient Buildings was founded by William Morris in 1877 to counteract the highly destructive 'restoration' of medieval buildings being practised by many Victorian architects.

Heritage of London Trust

The Heritage of London Trust is the only building preservation trust which covers all 33 London Boroughs.

SAVE Britain’s Heritage

Campaigning for threatened historic buildings - The first place to look for buildings to restore

CyberAtlas - the Web marketer's guide to online facts

Nielsen-netratings

BLINK BY NETVALUE
"Blink - An informative monthly e-newsletter updating you on NetValue's latest Internet research data and news.

The World Wide Web Consortium (W3C)

Best in the Web - 1994//96/97/98